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Exhibition room

The exhibit in the exhibition room is designed in accordance with the archeological findings and the research results of the Peinan Site over the past 20 years. Upon entering, you will see the rescue of the slate coffin burial complex under your feet. The specially designed tempered glass suspension bridge reminds us that we may be walking on the site at any time. After passing the bridge, there is a cross-section of the stratum from the site to present the culture vividly. Continue up, there are few exhibits of the scale models that explain the process and method of excavation, allowing the visitors to gain a basic understanding of the site before entering the main exhibits. The exhibits include the 3D model of Taitung Plain, the stratum of the site, the tiers of the prehistoric culture, the discovery and excavation of the site, and the site in the aboriginal legends. The Peinan Site is presented from geological and historical structure.

The stone pillar reproduction in the center of the exhibit leads the visitors to the contexts the Peinan Culture. The pottery, stone and jade objects made by the people of the Peinan Culture are displayed to tell the ancient stories. The site structure, tools and the burials allow us to relive the prosperity of the Peinan Culture, including the settlement, the dwellings, the dwelling, the manhood ceremony, the funerary traditions, the jade craftsmanship and the pottery technique. Aside from the still exhibits, the film show in the exhibition room presents the life of the people of Peinan Culture in 3000 years ago through computer simulation.


The Observatory

Given the significance of the Peinan Site, Professor Wen-hsun Sung suggested that an outdoor museum be built at the site in 1982. After years of discussion, the decision to build "Peinan Cultural Park" at the Peinan Site was finalized in 1991. The surface area of the first stage plan was 18.4ha. Based on the outcome of the trial excavation, Chung Chih Environment and Landscape Consultant Co., Ltd. was appointed to undertake planning and construction of the museum and this began in 1994. In 1999, the major facilities in the first stage plan were nearly completed. Unfortunately, due to the unresolved protests by the local farmers about the broadening of the roads in the park up to then, the license for the use of the Visitor Center could not be obtained for a long time. It was only after the active intervention of the Tourism Development Commission of the Executive Yuan, that the matter was resolved. In December 2002, the Peinan Cultural Park officially opened to the public, the birth of the first site park in Taiwan.

The management principle of the park is to deem the site as a museum of the universe. In order to realize the principle of co-existence with the site, as well as bringing the architectural technology of the late 20th century into full play. The layout, the architectural landscape design, and the building materials have all been chosen after thorough consideration. In coordination to the distribution of the underground historical artifacts, the gentle slopes at the west side of the park were planned as the facility usage zone and the native planting area, while the east side was presented as a large lawn. The Visitor Center was designed as one-story building on the sloping terrain, and coated with an integrated truss structure and gray stainless steel tiles, creating an open space with a simple structure. The arched entrance of the square was constructed with materials that were well integrated and steel tubes to form suspension beams shaped like a shell, which reflects the stability of the entire structure. The Open-air Amphitheater made use of the natural terrain in building the arched stands that blend in with the surrounding gentle slopes. All the facilities in the park are well matched to the natural green environment.


On-Site Exhibition

Given the significance of the Peinan Site, Professor Wen-hsun Sung suggested that an outdoor museum be built at the site in 1982. After years of discussion, the decision to build "Peinan Cultural Park" at the Peinan Site was finalized in 1991. The surface area of the first stage plan was 18.4ha. Based on the outcome of the trial excavation, Chung Chih Environment and Landscape Consultant Co., Ltd. was appointed to undertake planning and construction of the museum and this began in 1994. In 1999, the major facilities in the first stage plan were nearly completed. Unfortunately, due to the unresolved protests by the local farmers about the broadening of the roads in the park up to then, the license for the use of the Visitor Center could not be obtained for a long time. It was only after the active intervention of the Tourism Development Commission of the Executive Yuan, that the matter was resolved. In December 2002, the Peinan Cultural Park officially opened to the public, the birth of the first site park in Taiwan.

The management principle of the park is to deem the site as a museum of the universe. In order to realize the principle of co-existence with the site, as well as bringing the architectural technology of the late 20th century into full play. The layout, the architectural landscape design, and the building materials have all been chosen after thorough consideration. In coordination to the distribution of the underground historical artifacts, the gentle slopes at the west side of the park were planned as the facility usage zone and the native planting area, while the east side was presented as a large lawn. The Visitor Center was designed as one-story building on the sloping terrain, and coated with an integrated truss structure and gray stainless steel tiles, creating an open space with a simple structure. The arched entrance of the square was constructed with materials that were well integrated and steel tubes to form suspension beams shaped like a shell, which reflects the stability of the entire structure. The Open-air Amphitheater made use of the natural terrain in building the arched stands that blend in with the surrounding gentle slopes. All the facilities in the park are well matched to the natural green environment.


Crescent-shape Stone Pillars

The stone pillars are the first item to draw the attention from anthropologists in the Peinan Site. In Kano Tadao's "Megalithic Culture in East Taiwan" (1930), slate pillars were recorded as erecting at the Site. The stone pillars are 1.8-3.6m in height, the highest one is 4.6m, and form a almost-perfect straight line in the directions of the northeast or southwest. After half century of exploitation, the stone pillars are no longer found nowadays, except for one standing at the Site. It is the landmark and the historical witness of the Peinan Site, the Crescent-shape Stone Pillar.

The "Crescent-shape Stone Pillar" is named for the circular hole on the top, which shapes like a full moon. The function of the stone pillar is still vague until today. One legend says that the people of the Peinan Culture used them to support the house, and the hole on the top is for the beam. Another theory says that the ancient people of the Peinan Culture set the round stone pillars in front of the house to symbolize the societal status. Today, the site of the stone pillar is the small platform left by the railroad construction. To its north was once the excavation site but now a railroad switchyard. Only the Tulan Mt. standing far away is still in the clouds, for thousands of years.